Straight Outta Crouch End

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(This is a reprint of the second newsletter I sent. You can subscribe to it here: https://tinyletter.com/CasparSalmon) What do we mean by 'good' acting? It's a subject that you could write a whole book on, and PERHAPS I DAMN WILL, but in the meantime here are a few thoughts. Acting is easy, and everyone can do it. It's obvious to say, but every time you tell a lie you are acting, and even your day to day behaviour, while truthful, contains elements of performance. You choose to heighten certain words, to pause, to exaggerate, to use your body language for emphasis, in order to make your character manifest. Once, when I was at school, a boy in my class changed his walk almost from one day to the next. He had a boyish walk and changed it to a perfectly ridiculous, would-be cool saunter, which came with a stride that was too long and stretched his legs to visibly preposterous effect. But I suppose he wanted to convey something. This is to say that everyone makes a bi

(This is a reprint of the the first newsletter I sent out. You can subscribe to it here: https://tinyletter.com/CasparSalmon) I grew up in the same town as Isabelle Huppert. Ville d'Avray is a serenely pretty, slightly colourless place in the Parisian suburbs, between Paris and the more rarefied Versailles. Ville d'Avray joins Versailles by a quiet road that wends past lakes and through the forest, finally opening out onto grand tree-lined boulevards that lead to the Chateau. To get to Paris from Ville d'Avray, you drive through the heights of St. Cloud, where Marine Le Pen grew up in a private residence, and wind down to where the Seine circumscribes the city. Ville d'Avray was memorialised in painting by Corot in the 1860s and on film by Serge Bourguignon in the 1960s, in his film Les dimanches de Ville d'Avray. The town is quiet, a little haven from the lights of Paris, and its inhabitants are wealthy, white, educated, bourgeois, presumably right-wing. Walking